My baby smells of sweet basil
his boy fingers stained purple
by the blossoms he has ravaged
from my herb garden.
He is all body
full awareness
centered in his own skin.
His knees are wet with mud
and he has eaten
at least two handfuls of dirt
but it tastes like life
so he tries for a third.
Someday there will be plans,
a list of things to be done, a
finish line that keeps retreating
but today there is a whole world
in three pots and a watering can
which clangs against the concrete.
Friday, February 19, 2016
Saturday, December 26, 2015
Phrenology
The concrete nature of the face
inclines itself to support
certain artifices of character
as carved into the features-
the aquiline nose transformed
to discipline, or power,
the lips, when soft,
denoting sensuousness
that touch-thin line
between a smile
and sex.
To build such things
into a face
presumes stability
a certain predictability
that allows the cartilage to grow
at such a rate as to ensure
an equivalent visage to virtue.
It demands the mold,
still wet,
to change and cling
for the merest moment
birth perhaps
and then conform
forever more towards that form
which best connects
the skeleton and the self.
These things may be
but still the face
may grow to be
more artifice, than architecture.
The only sculptor known to shift
the structure of a skull
once stiffened into selfhood
is Love.
inclines itself to support
certain artifices of character
as carved into the features-
the aquiline nose transformed
to discipline, or power,
the lips, when soft,
denoting sensuousness
that touch-thin line
between a smile
and sex.
To build such things
into a face
presumes stability
a certain predictability
that allows the cartilage to grow
at such a rate as to ensure
an equivalent visage to virtue.
It demands the mold,
still wet,
to change and cling
for the merest moment
birth perhaps
and then conform
forever more towards that form
which best connects
the skeleton and the self.
These things may be
but still the face
may grow to be
more artifice, than architecture.
The only sculptor known to shift
the structure of a skull
once stiffened into selfhood
is Love.
Sinkhole
A puddle two inches deeper
than expected and slicked with grey mud
is exactly how this conversation feels.
I am thrown off
(balance, guard, off my rocker).
You are caught out
(of temper, of patience, out of bounds).
Your mouth moving means
next to nothing
in comparison to the old tree stiffness
in your shoulders
and my silence is shouted over
by my shuffling feet.
The slick puddle sinks
and us with it
till we are both, unexpected,
drowning
thrashing about, lashing out,
a deep grey sludge
that we stick in
slowly solidifying.
There is no reason for this.
Two stiff statues
staring each other down.
than expected and slicked with grey mud
is exactly how this conversation feels.
I am thrown off
(balance, guard, off my rocker).
You are caught out
(of temper, of patience, out of bounds).
Your mouth moving means
next to nothing
in comparison to the old tree stiffness
in your shoulders
and my silence is shouted over
by my shuffling feet.
The slick puddle sinks
and us with it
till we are both, unexpected,
drowning
thrashing about, lashing out,
a deep grey sludge
that we stick in
slowly solidifying.
There is no reason for this.
Two stiff statues
staring each other down.
Button
As I wrestle your fish body
slick and soft
two hands full of fat and skin
no muscle to speak of,
the knothole in your stomach
folded in and creased against itself
surprises me again.
Your first scar stands
as proof of humanity
the incision which sealed
you into your own skin.
I watch you twist and stretch
making tiny waves against the tub
and remember the warp
of your small foot pushing up and out
my skin distended with your force.
There is no sense in it
this resentment of a fold of skin
It is symbolic at best
but still I struggle
with your squishy kissable self
to forgive that memorial
of the day you were cut off from me.
slick and soft
two hands full of fat and skin
no muscle to speak of,
the knothole in your stomach
folded in and creased against itself
surprises me again.
Your first scar stands
as proof of humanity
the incision which sealed
you into your own skin.
I watch you twist and stretch
making tiny waves against the tub
and remember the warp
of your small foot pushing up and out
my skin distended with your force.
There is no sense in it
this resentment of a fold of skin
It is symbolic at best
but still I struggle
with your squishy kissable self
to forgive that memorial
of the day you were cut off from me.
Votive
My bones are one long fuse
Knotted at the joints
With calcium threads braided tight.
All my life I have feared flint
Carried water made holy
By my fear of fire.
I take deep breaths to smother flame
Pause before speaking to deny the spark
Its necessary air.
Fury glows like a coal in my heart
and I cannot snuff it out.
Fury glows like a coal in my heart
and I cannot snuff it out.
Since motherhood I feel the world
Is made of loose lit candles
A place of danger swelling bright.
Each day a thousand angry matches light
Hungry sparks reaching for your skin
to burn through your bones.
I carry always this smoldering truth
you need me like cool water
to soothe the heated hate of this place.
I ache to feel so fluid but still
to burn through your bones.
I carry always this smoldering truth
you need me like cool water
to soothe the heated hate of this place.
I ache to feel so fluid but still
I feel the anger in my bones
And it will burn out the heart of me.
Undertone
Motherhood is a perpetual grief.
I see you, skin separate from my skin
and I am stretched
a hollowing elongation
my body split in two.
Fact: bone of my bone
and flesh of my flesh
my breath was your breath
my blood your life
and now the same
life to life, milk to mouth.
But in a series of celebrations
I taste loss on my tongue.
You sit, you stand, you sound out
your own sounds with your soft skin
flexing and stretching and changing
and I do not know if my heart can swell
to the size your distance demands
as though these growing pains of yours
tug sharp in my belly where I bore you
where I bear you
as my closest secret.
Motherhood is one long loss
from skin to speech
and no one told me
how to grieve it.
The milk of human meaning
I pour out my life in mason jars
Measuring meaning in ounces
Performing my daily miracle
Transform the water into weight
Into rolls around the knee
Into sleep on a taut belly
Into a spine that sits up straight.
I spend my day in friction
The constant act of pulling forth
Contractions left over from the birth I didn't have
Squeezing drop by drop into the jar.
The bulging cycle consumes me
Minute after minute the fear of not enough,
The fear of overflow. I sink my heart
Into glass jars all creamy white and cold.
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